WATCH COLLECTING
PART THREE OF FOUR
WATCH COLLECTING |
Much
experimentation both on the Continent and in England was carried out
in attempts to improve upon the verge escapement. George Graham
perfected the cylinder escapement about 1725. Although used in
a few English watches, it was not used extensively until the end of
the 18th century when the Swiss and French makers dispensed with the
tusee and utilized this escapement in their endeavours to meet the
demand for thinner more elegant watches. Through persisting with the
use of the fusee even in their cylinder watches and declining to
adapt the verge watches in order to meet this new fad, the English
slowly lost their lead in the overseas markets.
The
advantage thus given them was eagerly grasped by the French, who also
had the advantage of having at this time an exceptionally artistic as
well as technically brilliant horologist - Abraham Louis Breguet
(1747-1816). Born in Neuchatel in Switzerland he spent most of his
working life in France. Movements of the watches produced during this
century included many complicated mechanisms, namely automata,
striking, chiming, repeating work, perpetual calendars and so on, as
well as incorporating technical improvements needed to achieve
precision timekeeping.
Repeating
mechanisms for watches had been first used in 1685 by Thomas Tompion.
By 1700 half-quarter repeaters had been introduced which sounded a
single stroke minutes after the previous quarter. Five-minute
repeaters were in use by 1750.
A
notable advance in this century was the introduction of jewelled
bearings. In 1704, Nicholas de Duillier, a Swiss mathematician along
with two French immigrant workers, Peter and Jacob Debaufre, took out
a patent for 'An Art of Working Precious or more Common Stones
(whether Natural or Artificial) Christal or Glass and certain other
Matters different from Metals, so that they may be employed and made
use
of in Clockwork or Watchwork ' The patent taken out in England
was
granted, but when they tried to apply for an extension they were
opposed by both lapidaries and watchmakers who then kept the secret
to themselves. By 1750 jewelled bearings were appearing in
high-quality watches.
WATCH COLLECTING |
Although
using many of the previously introduced techniques of enamelling and
so forth, the application to cases altered. The paintings were now
confined to panels set into a gold case, with the metal being
pierced, chased or set with half-pearls or brilliants. The former
were characteristic of many Swiss cases, although the French and
Swiss designs tended to be similar in most instances. Guilloche
or Engine- Turning became widely used towards the end of the century
and frequently was further embellished with a coloured
translucent enamel.
The
pair case is seen more often in the third quarter of the century, the
outer case being plain or covered with fish-skin with silver or gold
pin patterning. Matt-surface gold and silver dials also appeared at
this time.
Repousse-worked
outer cases were common until about 1775, the motifs often being
scenes from mythology or the Bible. Repousse work was at its peak
mid-century but continued in varying degrees of quality for a further
25 years. The general aim of the case designer at this period was one
of restrained elegance.
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