Vintage Postcard
Some of
the most colourful and eye-catching postcards can be found filed
under 'silks' in any postcard dealer's hoard.
There are
three main kinds - 'wovens', 'printed' and 'embroidered', and it's
this last category which is most plentiful and affordable.
The
majority of these glorious embroidered postcards date from the first
world war, and were sent from the men fighting in France to their
wives, girlfriends, mothers or sister's back home.
Many of
these cards are unashamedly sentimental, bearing messages such as 'To
My Mother', 'To A Good Girl', 'Remember Me', 'May God Bless You Until
I Return' and 'To My Dear Wife'.
Others
are staunchly patriotic - this was an age when people were proud to
be British, and the sight of the Union Flag made chests swell with
pride.
Some
cards bear regimental crests, while others, perhaps the most poignant
of all, depict soldiers, shell bursts and a message which reads
'Greetings From The Trenches'.
When you
take into account the heavy loss of men during the war, you can't
help wondering whether the sender of the card you're holding managed
to return home safely.
An
estimated ten million embroidered cards were produced during
the war years.
the war years.
The
amazing thing about these vividly-coloured cards is that they were
embroidered by hand.
Apparently,
they were sewn by French women who were pleased to do their bit for
the war effort, and at the same time earn some money.
They
would have been able to work at the cards between their usual chores,
and you can imagine them cramming their embroidery and silks into
their apron pockets, ready to work on as they waited for the potatoes
to cook or the bread to rise.
Vintage Postcard |
The silk
embroidery was executed on very fine muslin, which came as a strip
approximately six feet long and just under five inches wide. This
meant that the same design could be worked along the length about 25
times.
When the
cards were completed, they were starched to keep the stitches taut,
then cut into rectangles and mounted onto a cardboard backing sheet.
(These
last processes would have been carried out in a factory.) Once
mounted, the work
measured the standard postcard size of three and a half inches by
five and a half.
Many of
the embroidered cards had the fabric folded into an envelope shape so
that a tiny greetings card could be tucked inside.
Often,
these little cards are still in place, and are printed with a picture
or a message. Some of these pictures are very lovely, and are signed
by the artist.
One of
the most popular is Xavier Sager who produced some very delicate
work, and has become very collectable in his own right, famed for his
postcards of young ladies in various stages of undress!
Sometimes,
instead of a tiny greetings card, the embroidered shape would contain
a silk handkerchief or perhaps a tiny photograph of the sender.
The card
might even be perfumed.
Other
embroidered cards were worked upon a flat piece of muslin, and the
sender's message would be written on the reverse of the backing
board.
The
designs on the sentimental cards are usually of flowers - especially
forget-me-nots - as well as birds, butterflies,leaves,
dragonflies, horseshoes and
houses, and are normally sewn in vivid, often garish, shades, which must have greatly appealed to soldiers surrounded by sombre shades of khaki and seas of mud.
houses, and are normally sewn in vivid, often garish, shades, which must have greatly appealed to soldiers surrounded by sombre shades of khaki and seas of mud.
The cards
would be posted inside a translucent envelope to protect the delicate
stitching, and would have been treasured by the women back home,
relieved to know that their man was safe, at least for the time
being.
Frequently
these cards are passed down through families as heirlooms.
Most
French women were skilled embroiderers, but some weren't quite so
capable, which means that it's possible to find two cards of the same
design, one of which is beautiful sewn with dainty stitches while the
other has mistakes or clumsy work. It just adds to the charm!
Also,
even the most accomplished needlewoman would grow bored after sewing
the same design 25 times or more, and her attention would wander.
The most
complicated work is found in the embroidered badges and flags, and it
must have really been a labour of love to sew some of those intricate
designs.
After
all, no one would mind a misplaced flower petal - but a wrong motif
on a badge, or a mistake in a national flag couldn't be tolerated.
Embroidered
silk postcards usually start at around £5 - which is incredible
value if you consider all the hard work which went into the piece,
and think about the hazards the card might have undergone on its way
to England.
The
cheapest tend to be the sentimental greetings type. Next are the
patriotic cards, full of flags and 'Rule Britannia' or 'We Shall Win'
mottoes. Regimental emblems are dearest of all - they were less
popular during the war, as a soldier would obviously prefer to send
his wife a pretty card decorated with flowers and lovebirds, than to
send her an image of his badge.
Woven
silk cards are much more expensive.
They
would have been dearer at the time, too, as they took longer to
produce, requiring special looms and a great deal of skill.
Vintage Postcard |
Other
manufacturers too produced beautiful cards of flowers, buildings,
famous people and a series of 'flames', depicting the burning of
cities during the war.
Today,
woven silks start at £10 but those by Stevens could cost £25- £75
- or even more - depending on condition and subject. Printed silks
are slightly cheaper, and they too come in a range of subjects -
including flames - as well as regimental designs and various
greetings types.
However
it's the embroidered cards which first attract most collectors, and a
collection of these, kept safely in plastic pockets (acid free) to
protect the stitching, is a poignant and colourful reminder of a grim
time in our history.
Vintage Postcard
A time
when sentiment and patriotism weren't regarded as shameful emotions
but instead were feelings openly expressed by brave soldiers fighting
in the trenches.
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